Holbein: Painting the rich, the royal, and the well-connected

If you were anybody (as opposed to a nobody) in or around the court of Henry VIII (1491-1547), you wanted your portrait painted, and the guy you wanted to paint it was Hans Holbein.

Holbein’s near life-like characters and his ability to work with his subjects to project the image that they wanted netted him dozens of commissions and a very good living during his years in London.

Many of those portraits, including those of the king and his several wives, survive today and are currently on display in an exhibition at the J. Paul Getty Center in Los Angeles. Those who can’t get there in person can view the exhibition at the link below.

Here’s part of what the exhibition notes say about Holbein’s work:

In his portraiture Holbein immortalized a vibrant Renaissance culture of self-definition, luxury, knowledge, and wit. He devised inventive pictorial solutions for a variety of clients: celebrity scholars, ambitious merchants, and officials at the English court. Holbein achieved the powerful impression of presence and specificity by means of a flexible working process and rapport with his sitters. Some patrons demanded not just accurate likenesses but celebrations of their values, aspirations, and professional identities. Source: Holbein: Capturing Character in the Renaissance

Holbein was born in Augsburg, Germany, in 1497 (or thereabouts), the son of Hans Holbein, a well-known and respected painter of the time. The son eventually surpassed his father in fame, wealth, and artistic ability, so that today the father is known as Hans Holbein the Elder and the son as Hans Holbein the Younger.

The Younger moved to Basel, Switzerland in 1515, where he launched his career and enjoyed the vibrant culture of the time. That vibrancy turned to turmoil with the stirrings of the Protestant Reformation, and commissions for his work dwindled. Still, in 1523 he painted a portrait of the well-known humanist and writer Erasmus of Rotterdam—a portrait that made the painter famous. Not only did he paint portraits, but he also mastered the art of woodcuts, which had revolutionized the way books were designed and printed, and he achieved a good deal of fame for his work in that realm.

Holbein felt constrained by the growing conflicts in central Europe and in 1526 looked for a better environment in which to pursue his art.

London, he believed, was a town where he could stretch out his talents and make a good living, and he did just that. It didn’t hurt that he carried a letter of recommendation from Erasmus to his friend Sir Thomas More, then a close advisor to the King of England. More did his part by arranging commissions for the young painter, including one of his entire family. That painting doesn’t survive, but the preliminary sketches do. The group portrait was an original concept and would eventually gain acceptance throughout Europe.

Holbein went back to Basel in 1528 and stayed for about four years. During that time, Reformation conflicts again arose, and Holbein’s art was not universally admired or accepted. In 1532, he returned to London where the atmosphere was also politically charged but the king was in firm control. Holbein distanced himself from Thomas More and his humanist circle and found favor with the court’s rising stars, Anne Boleyn and Thomas Cromwell.

He traveled back and forth to Europe, painting portraits of the rich, the royal, and the well-connected. One of those was Anne of Cleeves. The portrait, which was said to be a flattering one, is thought to be one of the reasons Henry VIII chose her as his third wife after Anne Boleyn was executed. The king was disappointed with her appearance when he met her, but he never blamed Holbein. The fall of Thomas Cromwell from the king’s graces did damage his career, however.

Holbein died in 1543 at the age of 45. The cause of his death was probably the plague, although this is not known for sure. What is certain is the large body of work that he created and the influence on painting, particularly portraiture, that he left behind.

But Now I See: Photographs and Reflections on Grace

 Cliff McCartney

Cliff McCartney, good guy and good friend, has published a book of extraordinarily beautiful and meaningful photographs, each accompanied by a story and a meditation. The stories include the when and where of the photos, including occasional technical information, and the meditations are about what these pictures — and the process of photography itself —are teaching him about his life and faith. This is a wonderful book that you should take a look at for yourself and as a gift for friends,

Available on Amazon: https://www.amazon.com/But-Now-See-Photographs-Reflections/dp/B0H6GSMKQZ/ref=sr_1_1?

JPROF-First Inning Press newsletter

 

 Jim publishes a newsletter every Friday that contains a variety of articles, news about his books, and giveaways. The newsletter is free. You can sign up for it at JPROF.com.

Dominick Dunne on the best writing advice

 

The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. ‘Finish your first draft and then we’ll talk,’ he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.

Dominick Dunne

Erasmus, the first professional writer

The theologian Erasmus of Rotterdam was, according to historian Thomas Cahill, the first person in modern times to make his living solely by being a writer. The assertion is arguable, but quite likely true.

Erasmus appeared on the world scene in the 1460s, the dawn of the printing age. In Western Europe, literacy was on the rise, and the hunger for the printed word was nearly insatiable. Erasmus could write, and write well. He wrote with facility and agility.

And Cahill, in his book Heretics and Heroes, not only credits Erasmus with being the first professional writer, but also with being the person who invented the best-seller.

Even if Erasmus had not been the first professional writer, or the first best-selling author, we would remember him today for the enormous contributions he made to the ideas and creativity of his time, and the long-lasting effects they have had. Along with his contemporary, Martin Luther, Erasmus had no equal as an intellectual giant.

The Nathan Tower Espionage Series

About the Series

In the years after the Civil War, the United States had no real intelligence service — and Commander Nathan Tower built one anyway.

Operating out of a modest post at the Office of Naval Intelligence, Tower assembles a network of operatives who work in the shadows of Gilded Age Washington, Europe, and the Americas: gathering secrets, running operations no one will officially acknowledge, and defending American interests against rivals who have been playing this game far longer. Tower himself rarely takes the field. He orchestrates — recruiting, training, and deploying operatives whose skills he understands better than they do themselves.

The Nathan Tower Espionage Series is historical spy fiction grounded in real events, real institutions, and real historical figures of the 1860s–1880s. Each book stands on its own — new readers can start anywhere — but longtime readers will find a network of characters, relationships, and consequences that deepens across the series.

The series can be read in any order, but for readers who want the full arc, the suggested order is below: the prequel novellas first, then the main sequence of novels, with the short story collection filling in the gaps between them.

READ MORE ABOUT THE SERIES HERE 

New from the I'm No Expert, But series: Bletchley Park.

You've probably seen a movie about this. Here's what the movie left out: the Polish mathematicians who broke Enigma first, the Americans who showed up with a codebreaking machine of their own, and the wartime intelligence-sharing agreement that quietly became the alliance the modern world still runs on.

Seven things that surprised me most, plus a bonus chapter on the computer nobody credits as the first one — because it stayed classified for thirty years.

Available on Amazon: https://www.amazon.com/dp/B0HDMLR471

There Must Come a Change

 Before Jackie Robinson, there were the Pythians.

In the summer of 1869, a team of young Black men took the field against white opponents in Philadelphia—the first recorded interracial baseball game in American history. They called themselves the Pythians, and their captain was Octavius Valentine Catto: scholar, athlete, Civil War veteran, and the most dangerous Black man in Philadelphia.

Catto and his teammates weren't just playing baseball. They were waging a campaign for equality, using athletic excellence to challenge the assumptions of a nation struggling to define itself after the Civil War. When organized baseball formally banned Black players in 1867, the Pythians applied anyway. When they were rejected, they kept playing—and kept winning.

There Must Come a Change tells the full story of this remarkable team: their undefeated 1868 season, their historic games against white opponents, and the tragic Election Day in 1871 when Catto was assassinated on the streets of Philadelphia while defending the right of Black men to vote.

Available on Amazon: https://www.amazon.com/dp/B0GFXVY5Q3

John Paul Jones: Seven Things You Should Know.

 John Paul Jones didn't start out as Jones. He started out as a fugitive. Before he was America's most famous naval hero, he was a Scottish merchant captain named John Paul, fleeing a killing in the Caribbean under circumstances that make "self-defense" both true and not the whole story. 

He took a new name, landed in Virginia, and started building the legend we know today — a legend that turns out to be considerably stranger than the statue suggests.

Friends of Liberty podcast series

The complete Friends of Liberty podcast series remains available at friendsofliberty.substack.com. This Revolutionary War series contains 36 episodes, all with stories about the war for independence that you have probably never heard. We dig deep and find the spies, the enslaved Americans, and the unsung heroes and heroines that historians have left behind.

Thousands of people pledged their lives, liberties, and fortunes (people such as Patience Wright, pictured at right) to help this nature free itself from a king and an arrogant Parliament who thought they could tax and act with impunity. This podcast gives you just a few of their stories. Take some time during this 250th year celebration to find out more about these folks — people we who should not be forgotten.

Grace for All

Scripture gives us some very specific instructions on how we should act as a people and as a nation. The Grace for All daily devotional podcast examines some of these commands — not suggestions, commands — through the month of July. Available wherever you get your podcasts or at https://www.1stchurch.org/podcast. Subscribe at graceforall.substack.com to receive the daily devotion by email.

A visit with some old "friends"

 I am taking this late summer period to visit some old friends and to try to find some new ones. Author friends, I mean. I am returning to some authors I have read before and reading some of the publications that I have missed. One of those old "friends" is Walter Mosley, a writer of extraordinary talent and range. I had read several of his Easy Rawlins mysteries and just finished his first Joe King Oliver book. 

Mosley's writing drives straight into the action and holds you there until he is finished with you. So much of what I read these days is filler material — descriptions and items peripheral to the plot. Mosley doesn't write like that. His work puts you in the middle of the action and manages to keep you there even when he's spinning out a back story. Good stuff and highly recommended.